Architectural Photography, Part 4: Fixing Wide Angle Distortion
At the end of our last article, we had corrected the converging verticals and the slight horizontal yaw of our photo, and yet things still aren’t quite right…
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At the end of our last article, we had corrected the converging verticals and the slight horizontal yaw of our photo, and yet things still aren’t quite right…
In this third post about architectural photography, we’ll look at how to fix converging verticals in your shots of buildings. If we can’t avoid unintended converging verticals in-camera, we must fix them in post.
In this second post about architectural photography, we’ll discuss equipment selection (cameras, lenses, tripods, and tripod heads) and some of the implications of the gear you have on hand, particularly in post-processing.
This is the first in a series of brief introductory articles on architectural photography. We’ll cover everything you need to know in order to plan, execute and process your images of buildings to a high standard. In this part, we’ll consider perspective and how it applies to architectural work.
When planning a night photography or astrophotography shoot, the weather is a critical factor. It’s not just the obvious factors, such as the absence of rain and clouds, but many other factors that conspire to create or prevent great conditions.
Seeing and Transparency, along with light pollution and smoke, are two of the most important considerations for astrophotographers in determining where and when to plan a shoot. We’re pleased to be offering new Seeing and Transparency forecasts with Photo WX, our weather service for photographers.